Our Day Out Play Script S' title='Our Day Out Play Script S' />Father John Misty The Night Josh Tillman Came To Our Apartment OFFICIAL VIDEO. Our Miss Brooks Another Day, Dress Induction Notice School TV Hats for Mothers Day. BVrk05BCIAAR7IT.jpg' alt='Our Day Out Play Script S' title='Our Day Out Play Script S' />Teachers day Anchoring script ideas, sample scripts, examples to be followed while preparing for your open public speech in both Hindi and English language. Full text script of the play Macbeth Act II by William Shakespeare. Script of Act II Macbeth. The play by William Shakespeare. Introduction. This section contains the script of Act II of Macbeth the play by William Shakespeare. The enduring works of William Shakespeare feature many famous and well loved characters. Make a note of any unusual words that you encounter whilst reading the script of Macbeth and check their definition in the Shakespeare Dictionary The script of Macbeth is extremely long. To reduce the time to load the script of the play, and for ease in accessing specific sections of the script, we have separated the text of Macbeth into Acts. Please click Macbeth Script to access further Acts. Script Text of Act II Macbeth. ACT IISCENE I. Court of Macbeths castle. Enter BANQUO, and FLEANCE bearing a torch before him BANQUO How goes the night, boyThe following oneact play is reprinted from Plays by Anton Tchekoff. Trans. Julius West. New York Charles Scribners Sons, 1916. It is now in the public domain and. Script of Act II Macbeth The play by William Shakespeare. Introduction This section contains the script of Act II of Macbeth the play by William Shakespeare. FLEANCE The moon is down I have not heard the clock. BANQUO And she goes down at twelve. Features athlete profiles, daily online blogs, videos and photos from the games. EXAMPLE SCRIPT STAGE PLAY FORMAT The following is laid out in the way we like to have all scripts sent to us. Here are a few Dos and Donts. How to Format a Screenplay Youve plotted your story, developed your characters, and written a scenebyscene outline of your story. Now youre ready to write it in. ACT I PROLOGUE Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil. A Hard Days Night Script taken from a transcript of the screenplay andor the The Beatles movie. FLEANCE I taket, tis later, sir. BANQUO Hold, take my sword. Theres husbandry in heaven Their candles are all out. Take thee that too. A heavy summons lies like lead upon me,And yet I would not sleep merciful powers,Restrain in me the cursed thoughts that nature. Gives way to in reposeEnter MACBETH, and a Servant with a torch. Give me my sword. Whos there MACBETH A friend. BANQUO What, sir, not yet at rest The kings a bed He hath been in unusual pleasure, and. Sent forth great largess to your offices. This diamond he greets your wife withal,By the name of most kind hostess and shut up. In measureless content. MACBETH Being unprepared,Our will became the servant to defect Which else should free have wrought. BANQUO Alls well. I dreamt last night of the three weird sisters To you they have showd some truth. MACBETH I think not of them Yet, when we can entreat an hour to serve,We would spend it in some words upon that business,If you would grant the time. BANQUO At your kindst leisure. MACBETH If you shall cleave to my consent, when tis,It shall make honour for you. BANQUO So I lose none. In seeking to augment it, but still keep. My bosom franchised and allegiance clear,I shall be counselld. MACBETH Good repose the while BANQUO Thanks, sir the like to you Exeunt BANQUO and FLEANCEMACBETH Go bid thy mistress, when my drink is ready,She strike upon the bell. Get thee to bed. Exit Servant. Is this a dagger which I see before me,The handle toward my handCome, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible. To feeling as to sight A dagger of the mind, a false creation,Proceeding from the heat oppressed brain I see thee yet, in form as palpable. As this which now I draw. Thou marshallst me the way that I was going And such an instrument I was to use. Mine eyes are made the fools o the other senses,Or else worth all the rest I see thee still,And on thy blade and dudgeon gouts of blood,Which was not so before. Theres no such thing It is the bloody business which informs. Thus to mine eyes. Now oer the one halfworld. Nature seems dead, and wicked dreams abuse. The curtaind sleep witchcraft celebrates. Pale Hecates offerings, and witherd murder,Alarumd by his sentinel, the wolf,Whose howls his watch, thus with his stealthy pace. With Tarquins ravishing strides, towards his design. Moves like a ghost. Thou sure and firm set earth,Hear not my steps, which way they walk, for fear. Thy very stones prate of my whereabout,And take the present horror from the time,Which now suits with it. Whiles I threat, he lives Words to the heat of deeds too cold breath gives. A bell rings. I go, and it is done the bell invites me. Hear it not, Duncan for it is a knell. That summons thee to heaven or to hell. Exit. SCENE II. The same. Enter LADY MACBETH LADY MACBETH That which hath made them drunk hath made me bold What hath quenchd them hath given me fire. Hark Peace It was the owl that shriekd, the fatal bellman,Which gives the sternst good night. He is about it The doors are open and the surfeited grooms. Do mock their charge with snores I have druggdtheir possets,That death and nature do contend about them,Whether they live or die. MACBETH Within Whos there LADY MACBETH Alack, I am afraid they have awaked,And tis not done. The attempt and not the deed. Confounds us. HarkI laid their daggers ready He could not miss em. Had he not resembled. My father as he slept, I had donet. Enter MACBETHMy husband MACBETH I have done the deed. Didst thou not hear a noise LADY MACBETH I heard the owl scream and the crickets cry. Did not you speakMACBETH When LADY MACBETH Now. MACBETH As I descendedLADY MACBETH Ay. MACBETH Hark Who lies i the second chamber LADY MACBETH Donalbain. MACBETH This is a sorry sight. Looking on his hands. LADY MACBETH A foolish thought, to say a sorry sight. MACBETH Theres one did laugh ins sleep, and one criedMurderThat they did wake each other I stood and heard them But they did say their prayers, and addressd them. Again to sleep. LADY MACBETH There are two lodged together. MACBETH One cried God bless us and Amen the other As they had seen me with these hangmans hands. Listening their fear, I could not say Amen,When they did say God bless usLADY MACBETH Consider it not so deeply. MACBETH But wherefore could not I pronounce Amen I had most need of blessing, and AmenStuck in my throat. LADY MACBETH These deeds must not be thought. After these ways so, it will make us mad. MACBETH Methought I heard a voice cry Sleep no more Macbeth does murder sleep, the innocent sleep,Sleep that knits up the ravelld sleeve of care,The death of each days life, sore labours bath,Balm of hurt minds, great natures second course,Chief nourisher in lifes feast, LADY MACBETH What do you mean MACBETH Still it cried Sleep no more to all the house Glamis hath murderd sleep, and therefore Cawdor. Shall sleep no more Macbeth shall sleep no more. LADY MACBETH Who was it that thus cried Why, worthy thane,You do unbend your noble strength, to think. So brainsickly of things. Go get some water,And wash this filthy witness from your hand. Why did you bring these daggers from the place They must lie there go carry them and smear. The sleepy grooms with blood. MACBETH Ill go no more I am afraid to think what I have done Look ont again I dare not. LADY MACBETH Infirm of purpose Give me the daggers the sleeping and the dead. Are but as pictures tis the eye of childhood. That fears a painted devil. If he do bleed,Ill gild the faces of the grooms withal For it must seem their guilt. Exit. Knocking within. MACBETH Whence is that knocking How ist with me, when every noise appals meWhat hands are here Will all great Neptunes ocean wash this blood. Clean from my hand No, this my hand will rather. The multitudinous seas in incarnadine,Making the green one red. Re enter LADY MACBETHLADY MACBETH My hands are of your colour but I shame. To wear a heart so white. Knocking within. I hear a knocking. At the south entry retire we to our chamber A little water clears us of this deed How easy is it, then Your constancy. Hath left you unattended. Knocking within. Hark Get on your nightgown, lest occasion call us,And show us to be watchers. Be not lost. So poorly in your thoughts. MACBETH To know my deed, twere best not know myself. Knocking within. Wake Duncan with thy knocking I would thou couldstExeunt. SCENE III. The same. Knocking within. Enter a Porter Porter Heres a knocking indeedRomeo and Juliet Entire Play. ACT IPROLOGUESCENE I. Verona. A public place. Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers. Enter ABRAHAM and BALTHASARThey fight. Enter BENVOLIOBeats down their swords. Enter TYBALTThey fight. Enter, several of both houses, who join the fray then enter Citizens, with clubs. Enter CAPULET in his gown, and LADY CAPULETEnter MONTAGUE and LADY MONTAGUEEnter PRINCE, with Attendants. Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIOEnter ROMEOExeunt MONTAGUE and LADY MONTAGUEExeunt. SCENE II. A street. Enter CAPULET, PARIS, and Servant. To Servant, giving a paper. Exeunt CAPULET and PARISEnter BENVOLIO and ROMEOReads. Exit. Exeunt. SCENE III. A room in Capulets house. Enter LADY CAPULET and Nurse. Enter JULIETEnter a Servant. Exit Servant. Exeunt. SCENE IV. A street. Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch bearers, and others. Exeunt. SCENE V. A hall in Capulets house. Musicians waiting. Enter Servingmen with napkins. Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers. Music plays, and they dance. Exit. Exeunt all but JULIET and Nurse. One calls within Juliet. Exeunt. ACT IIPROLOGUEEnter Chorus. Exit. SCENE I. A lane by the wall of Capulets orchard. Enter ROMEOHe climbs the wall, and leaps down within it. Enter BENVOLIO and MERCUTIOExeunt. SCENE II. Capulets orchard. Enter ROMEOJULIET appears above at a window. Nurse calls within. Exit, above. Re enter JULIET, above. Exit, above. Retiring. Re enter JULIET, above. Exit above. Exit. SCENE III. Friar Laurences cell. Enter FRIAR LAURENCE, with a basket. Enter ROMEOExeunt. SCENE IV. A street. Enter BENVOLIO and MERCUTIOEnter ROMEOEnter Nurse and PETERSings. Singing. Exeunt MERCUTIO and BENVOLIOExit Romeo. Exeunt. SCENE V. Capulets orchard. Enter JULIETEnter Nurse and PETERExit PETERExeunt. SCENE VI. Friar Laurences cell. Enter FRIAR LAURENCE and ROMEOEnter JULIETExeunt. ACT IIISCENE I. A public place. Enter MERCUTIO, BENVOLIO, Page, and Servants. Enter TYBALT and others. Enter ROMEODraws. Drawing. They fight. TYBALT under ROMEOs arm stabs MERCUTIO, and flies with his followers. Exit Page. Exeunt MERCUTIO and BENVOLIORe enter BENVOLIORe enter TYBALTThey fight TYBALT falls. Exit ROMEOEnter Citizens, c. Enter Prince, attended MONTAGUE, CAPULET, their Wives, and others. Exeunt. SCENE II. Capulets orchard. Enter JULIETEnter Nurse, with cords. Throws them down. Exeunt. SCENE III. Friar Laurences cell. Enter FRIAR LAURENCEEnter ROMEOKnocking within. Knocking. Knocking. Knocking. Enter Nurse. Drawing his sword. Exit. Exeunt. SCENE IV. A room in Capulets house. Enter CAPULET, LADY CAPULET, and PARISExeunt. SCENE V. Capulets orchard. Enter ROMEO and JULIET above, at the window. Enter Nurse, to the chamber. Exit. He goeth down. Exit. Enter LADY CAPULETEnter CAPULET and Nurse. Exit. Exit. Exit. Exit. ACT IVSCENE I. Friar Laurences cell. Enter FRIAR LAURENCE and PARISEnter JULIETExit. Exeunt. SCENE II. Hall in Capulets house. Enter CAPULET, LADY CAPULET, Nurse, and two Servingmen. Exit First Servant. Exit Second Servant. Enter JULIETExeunt JULIET and Nurse. Ignou Bca Project Synopsis. Exeunt. SCENE III. Juliets chamber. Enter JULIET and Nurse. Enter LADY CAPULETExeunt LADY CAPULET and Nurse. Laying down her dagger. She falls upon her bed, within the curtains. SCENE IV. Hall in Capulets house. Enter LADY CAPULET and Nurse. Enter CAPULETExeunt LADY CAPULET and Nurse. Enter three or four Servingmen, with spits, logs, and baskets. Exit First Servant. Exit. Music within. Re enter Nurse. Exeunt. SCENE V. Juliets chamber. Enter Nurse. Undraws the curtains. Enter LADY CAPULETEnter CAPULETEnter FRIAR LAURENCE and PARIS, with Musicians. Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCEExit. Enter PETERExit. Exeunt. ACT VSCENE I. Mantua. A street. Enter ROMEOEnter BALTHASAR, booted. Exit BALTHASAREnter Apothecary. Exeunt. SCENE II. Friar Laurences cell. Enter FRIAR JOHNEnter FRIAR LAURENCEExit. Exit. SCENE III. A churchyard in it a tomb belonging to the Capulets. Enter PARIS, and his Page bearing flowers and a torch. Retires. The Page whistles. Retires. Enter ROMEO and BALTHASAR, with a torch, mattock, c. Retires. Opens the tomb. Comes forward. They fight. Exit. Falls. Dies. Laying PARIS in the tomb. Drinks. Dies. Enter, at the other end of the churchyard, FRIAR LAURENCE, with a lantern, crow, and spade. Advances. Enters the tomb. JULIET wakes. Noise within. Noise again. Exit FRIAR LAURENCEKisses him. Snatching ROMEOs dagger. Stabs herself. Falls on ROMEOs body, and dies. Enter Watch, with the Page of PARISRe enter some of the Watch, with BALTHASARRe enter others of the Watch, with FRIAR LAURENCEEnter the PRINCE and Attendants. Enter CAPULET, LADY CAPULET, and others. Enter MONTAGUE and others.