Leonard Cohen Old Ideas 2. HDtracks. Tracklist 0. Going Home 3 5. Amen 7 3. Show Me the Place 4 0. Darkness 4 2. 90. Anyhow 3 0. 80. Crazy to Love You 3 0. Come Healing 2 5. Banjo 3 2. 30. Lullaby 4 4. Rapidshare Old Ideas Leonard Cohen' title='Rapidshare Old Ideas Leonard Cohen' />Old Ideas, by Leonard Cohen was produced with Patrick Leonard, Anjani Thomas, Ed Sanders and Dino Soldo. Complementing Cohens signature baritone on Old Ideas are the. Different Sides 4 0. From our master singer songwriter, here are ten new songs that mine the heart, shake the body, and break the boundaries as everybody knows only Leonard Cohen can do. A signature of our time, Leonards baritone holds us like the voices of Hank, Frank, and Ray. These are songs that nobody knows and everyone will treasure. Old Ideas, by Leonard Cohen was produced with Patrick Leonard, Anjani Thomas, Ed Sanders and Dino Soldo. Complementing Cohens signature baritone on Old Ideas are the exceptional vocalists Dana Glover, Sharon Robinson, The Webb Sisters Hattie and Charley Webb and Jennifer Warnes. The albums cover design and drawings are Cohens own. Leonard Cohen lyrics pdf. OLD IDEAS в Leonard Cohens music. UserFiles/Image/category/3100/98663_vinilovaya_plastinka_cohen_leonard_popular_problems.jpg' alt='Rapidshare Old Ideas Leonard Cohen' title='Rapidshare Old Ideas Leonard Cohen' />Leonard Cohen, has always possessed a droll, self effacing sense of humor. He expresses it on the opening track of Old Ideas in the third person I love to speak with LeonardHes a sportsman and a shepherdHes a lazy bastardLiving in a suit. Virtual Dj Full Version 6.0 1 Pc. Its just of the typical Cohen topical standards on offer here spiritual yearning, struggle, love, loss, lust, and mortality are all in abundance, offered with the poets insight. He is surrounded by friends on Old Ideas. Patrick Leonard, Dino Soldo, and Anjani Thomas get production and co writing credits. Sharon Robinson, Dana Glover, Jennifer Warnes, and the Webb Sisters all appear on backing vocals. Cohen mixes up the musical forms more than he has in the past. The loungey electronic keyboards on Going Home are balanced by Glovers female backing chorale, an acoustic piano, and Bela Santellis violin. The sly, minor key Gypsy jazz groove on Amen is played by a banjo, violin, and Cohens guitar it tempers his searing lyric, which posits the notion that the totality of love, divine or otherwise, can only truly be achieved when the object of desire has seen his worst, metaphorically and literally. Show Me the Place finds Cohen once again adopting the Protestant hymnal as directly as he did on Hallelujah albeit more quietly and wedding it to his simple, direct melodic sensibility. The song is a prayer, not for redemption, but to enter the cloud of spiritual unknowing before his demise, to discover the terrain where suffering itself is birthed. Warnes gorgeous backing vocals, piano, guitar, and violin accompany his beneath the basement, cracked leather baritone in delivering the song with conviction and vulnerability. Cohens live band joins him on Darkness, where he evokes, musically, his love of both late 4. R B and gospel, even as he frankly discusses the inevitable entrance into the big goodnight. He also revisits the spartan sound of his early career with Crazy to Love You, written with Thomas, on which his only accompaniment is his acoustic guitar. Here, he wrestles with an unwanted but nonetheless nagging attachment to erotic desire. Come Healing is another gospel ized hymn, with Glovers vocals, church organ, violin, and Cohens nearly croaking vocal he sings with reverence O see the darkness yieldingThat tore the light apartCome healing of the reasonCome healing of the heart. Banjo is a country blues that gives the songwriter a chance to indulge his love for Hank Williams while reflecting on Hurricane Katrina as Soldos New Orleans inspired horns add a haunted effect to the tune. Cohen speaks not only for himself, but the ghosts of restless spirits wandering in his vision. Lullabyes lyrics, accompanied by a high lonesome harmonica and a whispering jazz organ to counterintuitively offer an attempt at comfort to the disconsolate. Different Sides, with its slow, loopy groove, is a basic shuffle that addresses unresolved conflict in lust and law spiritual and carnal, bringing Old Ideas to a close with an ironic tension. Here Cohen meets conflict, tension and his other well worn topics head on. He doesnt sound as wearyt as he did on Dear Heather He accepts them for what they are all aspects of the same thing the contradictory nature of life itself.